The
performativity of
colour organs desires in the Hegelian notion of social recognition: the identity of
colour music. The genesis of
colour music was arguably only brought up by the first generation of
colour organs, which never held a supplementary but primary role
to this particular art form. The display of
colour in a concert setting was never limited to the idea of music
visualisation but rather a metaphorical expression of
colour dialogue between the music, art and our individual
colour perceptions in concert.
The much familiar notion of musicality generally dominates the discourse on kineticism, and the poetic use of the term 'music' in colour music often mislead us to believe that the idea of music in this particular context is the framework for the final outcome.
This blog is dedicated to collate different movements of colour organ designs and to show how they have performed to move forward the field of colour music to present, and future.
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